All I can say is that… Toronto, you always treat me so well. In case you missed some of my posts on film reviews and pictures associated with my time at the 2013 Toronto Independent Film Festival, here is alittle recap:
THE FILMS This year I screened nine films, the most I’ve seen at one festival to date (yay, I can’t touch those people that do 30+ but I think its not too shabby). Here’s the recap:
The Past (Le Passe)** (Bérénice Bejo, Ali Mosaffa, Tahar Rahim) “[Director] Farhadi doesn’t really construct beginning or ending to the story but really has a way of pulling back the curtain and exposing the audience to a short, intense moment. The story continues on after we leave them, not only for us to choose what we think happens from there but also to alert us to that fact that their is no easy resolution in life, there are much to people’s stories left to carry on.” A-
Hateship Loveship(Kristen Wiig, Guy Pearce, Nick Nolte, Haille Steinfeld) “…there are some laughs (a certain make-out sesh with a bathroom mirror comes to mind) and cries (you just can’t help but feel sorry for Johanna at times) that sometimes make this unbelievable story worthwhile.” B-
Prisoners(Hugh Jackson, Maria Bello, Viola Davis, Terrance Howard, Paul Dano, Melissa Leo) “For much of the two-and-a-half run time, the movie brims with unbearable tension, cringing suspense, and plenty of gasp-out-loud moments to carry along the unraveling mystery." B
On my Day 3 of TIFF13, I had three tickets in hand for three very different movies - a police thriller (Prisoners), a French literary adaptation (Therese), and a biopic on one of the biggest blues rock singers in history (All is By My Side). Let’s get to my brief thoughts on each of them and some interesting bits of knowledge I gathered from the post-screening Q&As (if there was one):
“Prisoners”
In many ways, Prisoners is a triumph of a dark thriller film. Every character carries with them the capacity of darkness and light, forgiveness and vengeance as they live on a respective side of the puzzle; the puzzle being what happened to two little girls who disappeared the afternoon of Thanksgiving in Pennsylvania. One of sides stands the two families (Hugh Jackson, Maria Bello, Viola Davis, Terrance Howard) who are desperate for answers which drives them to perpetrate or turn a blind eye to unspeakable acts in the name of their children. On the other side is a disturbed young man and his aunt (Paul Dano, Melissa Leo) who may or may not know what happened to them. It is all up to a detective to figure it out (Jake Gyllenhaal).
For much of the two-and-a-half run time, the movie brims with unbearable tension, cringing suspense, and plenty of gasp-out-loud moments to carry along the unraveling mystery. Couple that with the many heavy emotional moments, the bulk and the best for me from Jackman, Bello, and Davis, the film is paced with intense beats that often throws you off guard in the best way possible.
Right from the start, in a opening scene with his son on a deer hunting trip, we are trained to take note of Jackman’s character, a man portrayed as been desensitized to the suffering/innocence of whatever he comes to consider his prey. This is important note director Denis Villeneuve and screenwriter Aaron Guzikowskiand drives home to make his subsequent struggles at morality completely plausible. It is only in the last thirty minutes of the movie that the movie loses momentum but the final scene that filmmaker chooses to end on is brilliant. My Grade: B
The Descendants: So, I guess I’m the only one in the world who thinks this movie is overrated? I will have to say that I had less than zero interest in ever seeing this movie. I decided to possibly watch it if it won Best Picture at the Oscars this year (but luckily it lost to the very worthy The Artist). But I found myself on a long international flights this week with not much of a selection of films on my personal monitor, so… The Descendants. The movie wasn’t a bad one at all; I just found it nothing super special. Yes, it was a solidly good story of a man coming to grips with his wife infidelity when he doesn’t have the benefit of confronting her as she is in a coma. Additionally, he is dealing with a decision about his family land that will affect his future and those around him forever. We witness some really touching moments between him and his kids and the closer he needs with his wife. I just have the impression that if George Clooney wasn’t in this movie, if someone else was in the lead role, this movie would have flown under the radar. Or maybe I’m missing something?
Big Fish: Yeah, it’s true. I had never seen this until this week. Another movie I saw while on an international flight back to the States. As I continue my exploration of Ewan McGregor movies after he stole my heart in last year’s movie Beginners, I just had to watch this one which has been touted as one of his best performances. The story follows a write (Bill Crudup) as he relives the stories, myths and tall tales of his dying father. What an very very odd (not surprising since it is a Tim Burton film) but very very good film. I actually saw alot similarities between Beginners and Big Fish - a moving exploration of a father-son relationship where the son comes to fully understand his father as a person right before he dies. McGregor switches roles between the two movies (playing the son in Beginners and the father at a younger age in Big Fish) but he succeeds in providing much of the heart in both. I’m not ashamed to admit that this movie made me cry.
Film-Inspired Theme Song:
“Leaving on a Jet Plane”/Chantel Kreviazuk (originally written by John Denver) from the movie Amageddon
This week (and the one before it) has been really hectic for me as I’ve been trying to NYC and Europe so this sound is fitting to represent my state of mine for the week. I’m finally home for awhile and can relax so I’m excited about that. Traveling takes alot out of you!
Movie Trailer of the Week:
Gangster Squad: You don’t know this about me but I am currently boycotting any film that Anthony Mackie is in. Why? Well, because he kinda ignored me (twice) when I saw him at Sundance, lol. Well, Mr. Mackie is smart. He jumped in a film of one of the only actors whose movies I can’t deny - Ryan Gosling (I kinda love him). Very smart man, indeed. I love that Ryan Gosling is going gangster. He has the looks for it, the swagger. The trailer has it all - a (scary) sinister Sean Penn, a reunion of Emma Stone and Gosling post-Crazy, Stupid, Love, the romanticism of the gangster era. I’m getting more excited by the minute.
Pop Culture Randomness:
o In perfect casting news, Andre 3000 will be stepping in as Jimi Hendrix in an upcoming biopic though apparently, as of right now, the film can’t use any original Hendrix music o Apparently, Quentin Tarentino is having trouble keeping a cast together for his upcoming film, Django Unchained; Joseph Gordon-Levitt, Kurt Russell, and Sasha Baron Cohen have all dropped out of the project. Knowing QT though, he’ll pull it together o Joss Whedon, the creator behind awesome TV shows like Buffy and Firefly and now the director of the record-breaking Avengers movie, lists his favorite Buffy episodes
Film-Inspired Fashion Moment:
A new photo for the upcoming film Ruby Sparks hit the internet this week and with it, we get to see more what will sure to be a very cute, sweet, and whimsical movie (can’t wait). I’m loving the bright orange dress with the auburn hair on Zoe Kazan; it comes off as very striking and something that I’m sure tells us alot of about Ruby’s character.
Launched in 2011 as an independent film blog, Life Between Films has evolved into my personal blog of style, travels, books and of course will continue to be where I discuss the artistic and humanistic aspects of movies, especially independent film.
I have traveled around attending some of the biggest and most prestigious film festivals (Sundance, Tribeca, Toronto), writing for some online film sites, collaborating with fellow film blogs, and meeting some of the top actors and film industry types.
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